Once more we have proof that critics really don`t know a turd from a diamond. We all read record reviews, but ultimately you have to listen to the album yourself to decide if you like it. “Rock and Roll All Nite” is one of Kiss’ most well-known songs, almost like a signature song for the band. Many of the other songs on this album are among the most popular among their fans today – songs like “She”, “C’mon and Love Me” and “Room Service” are still in high regard.
Have fun with this review!
KISS: “Dressed To Kill”
By Max Bell
This record has unscented anti-perspirant smeared over every groove. It doesn`t sweat, it doesn`t move, it doesn`t even make me feel particularly violent.
In other words Kiss have gone the way of all flesh and cleaned up. If this change in direction goes much further though they`ll end up dying a desultory death.
Main problem is that bossman Neil Bogart has carefully extinguished the buzzing, sub-manic, nod-out doze of “Hotter Than Hell” and substituted pristine clarity. New, but not improved… ie., “this guitar goes in that channel.” Worst of all you can actually hear the lyrics, which on a Kiss album is the last thing you want.
Seems that as soon as they made a conscious effort to reveal their I.Q.`s, Kiss lost their real claim to fame (making straightforward rock so dumb it was good). The urgency is gone, riffs are thin on the ground, and ears are still intact. Besides, it`s too hot to jump up and down.
No more deranged HM and gluttonous dual lead. There`s even a tasteful classical guitar intro to the stunningly titled “Rock Bottom”. In the barely passable league we`ve got “Two Timer”, “Getaway” and “She”, while the last single, “Rock-And-Roll All Nite” is only pleasantly retarded. Most of the time Kiss sound like a Rubettes Silverhead hybrid. About as heavy as a flimsy negligee.
I conclude that this is one of the most expendable, vapid formulations of the time-tested excursions into nowhere since Lord Rutherford tried to stick the atom back together again. And being one of the only people in this office who liked their previous two albums it comes as some disappointment to be presented with such tired, mill-grist by way of the third.
If this is progression, I don`t like it. And by the way, whoever organised the sleeve, lose ten points for getting the band names totally out of synch.
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This number of New Musical Express also contains articles/interviews with these people: Les Perrin, Robin Trower, Guide to Reading Festival, Judy Collins, Third World, Max Merritt, David Bowie.
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