Day: November 20, 2017

ARTICLE ABOUT Pink Floyd FROM SOUNDS, August 14, 1971

Another one with the Floyd. A couple of interesting opinions in this one. I recently saw one of the tribute bands, Brit Floyd, in my hometown of Trondheim and I would recommend them as the next best thing to the original band. The interest that there is in tribute bands to Floyd, shows how much we all miss the original band. Great music!

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Floyd – A buzz of interest

By Steve Peacock

There is a body of opinion, not so much in England but more in the rest of Europe and in America, which contends that the Pink Floyd never really did anything to match the things they did when Syd Barrett was with them.
Looking back over their work, and considering that the bulk of Syd`s work with the band was completed before the “Saucerful of Secrets” LP (he played on some tracks, but Dave Gilmour joined the Floyd while they were in the middle of recording that album) it seems a slightly ridiculous contention.
This is not to belittle Syd`s work at all – you only have to listen to that first album and hear things like his “Bike”, or to the two solo albums that he made since leaving the Floyd, to realise that he is an astonishingly original and inventive writer and musician.
And if you ever saw the group play live in the early days with Syd, you`ll know how important a force he was in their music.

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But that was then, and I think it is fair to say that – whatever the politics surrounding his departure from the group – if he hadn`t left, we wouldn`t have had a Pink Floyd for as long as we have. It got to the point within the group where Syd and the others just could not work together.
Syd left, the Pink Floyd carried on with Dave Gilmour, and have since been responsible for some of the most exciting and novel pieces of rock music to emerge from the great flood of ideas we`ve experienced during the past five years.
When people talk about the avant-garde of British rock music, whatever that might be, there are always two names that are mentioned; Soft Machine and Pink Floyd. In their separate ways, both have contributed a great deal. They`re not leaders, as such, because that implies that people have picked up on their music and copied it and though you could easily point to a thousand Mayall imitators, or Cream imitators, you`d be hard put to it to find more than a handful of groups who have borrowed in such an obvious way from the Soft Machine or the Floyd.
They have had their influence though – mainly by opening doors and expressing broad ideas that other musicians have absorbed into their attitudes more than their musical form.
One of the oddest things about the Floyd is that, after “Saucerful of Secrets”, it is difficult to find any kind of logical development in their music. Obviously there is progression from one musical idea to the next, but it isn`t in any clearly defined “direction”, and after listening to their most recent work you don`t really have any idea what they are likely to do next.

ENDLESS

Each album – in some cases each track – is a project on its own; everything they`ve done had been unmistakably Pink Floyd, but everything fits into a general idea rather than a pattern.
Who could have seen “Atom Heart Mother” after the “Ummagumma” album, or “Alan`s Psychedelic Breakfast” on the same album as “Atom Heart”? Not me, and I suspect not the Pink Floyd.
They are all notoriously vague when answering questions about what they are going to do in the future, or even what they are doing at any given time, and they tend to work very slowly – trying out a lot of ideas before they make a decision on what to carry right through.
The list of projects that get postponed, or half finished, or dropped because something else came along, is endless.
But one thing is always certain; when they come up with something it is usually excellent, and it always creates a loud buzz of interest.

Equipment

PA:
6 100 Watt Hiwatt Amps
17 100 Watt WEM Amps
1 40 Watt WEM Amp
1 Leslie 145 Speaker
4 WEM 2 x 15 Speakers
8 WEM 4 x 12 Speakers
11 WEM 4 x 12 Speaker Columns
8 WEM 2 x 15 Speaker Columns
4 WEM Horn Units
2 WEM Mixers
5 Binson Echo Units
1 WEM 1 x 12 Speaker Cabinet
4 3 x 10 WEM Speaker Columns
2 Leslie 147 Speakers
2 WEM Horns
4 Tannoy Speakers
1 H.H. Electronic 100 Watt Amp
1 Leslie Amp

MICROPHONES:
6 Sennheiser Microphones
12 Shure Microphones
12 Microphone Stands

GUITARS:
2 Fender Stratocaster Guitars
2 Fender Precision Bass Guitars

DRUMS:
1 Ludwig Drum Kit with 7 drums and 9 cymbals assorted sizes

ORGAN:
1 Hammond M102 Organ
1 Farfisa Organ Pack

OTHER INSTRUMENTS:
3 Revox Tape Recorders
1 Gong and Stand

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I have personally transcribed this from the original paper. Any errors in the text from the original magazine may not have been corrected for the sake of accuracy. If you have a music-related web-page where this fits – please make a link to the article. With credits to the original writer of the article from all of us music fans!

This number of Sounds also contains articles/interviews with these people: Alun Davies, Roger McGuinn, Rev. Gary Davis, Judy Collins, Ottilie Patterson, Gentle Giant, Black Sabbath, Moby Grape, Henry McCullough, David Bowie, Marc Bolan, Yes, Family, ELP, Jethro Tull, Grease Band, Osibisa, Strawbs, Led Zeppelin, Mimi Farina.

The original music paper this article came from (pictured at the top) is for sale!

1. Send me an e-mail if you are interested. Send it to: geirmykl@gmail.com
2. The offer should be 20 $ (US Dollars) to be considered. (This includes postage).
3. We conduct the transaction through my verified Paypal account for the safety of both parties.