Today I`m celebrating my Birthday. At my age there are no guarantees any more, so I will have myself a really nice party, get drunk and reflect on life. Here`s to another year gone by – may life treat us all good in 2019!
Concert review from Charlton Athletic Football Ground
By Steve Peacock
They began at dusk when the stage lights were just beginning to have their full effect, and played on for more than two hours into a balmy summer night. Pete Townshend compared the feeling to the time they played at Woodstock, which raised a right-on or two from the people, and the Who certainly chalked up more than their share of highs as they brought Charlton to a close.
It was a long day, and I tend to suffer from sensory overload at all-day concerts anyway, so if I say that I thought the Who`s set was patchy and that they went on a bit where a spot of judicious editing wouldn`t have come amiss, you`ll have to bear my lack of stamina in mind.
Bear in mind also that Charlton was the first time out for their new “Tommy”-less and “Quadrophenia”-less set, and it seemed they didn`t quite have the measure of the pace of the new show. The shape of their set moved in rough parabolic curves (O level maths you see, can`t beat a good education) but often I felt the distance between the peaks was elongated too far: they stretched out numbers to the point where you began to suspect they were playing for time.
Also, Townshend had some problem with a guitar amp, and there was a buzz on the PA which occasioned much fist shaking from stage towards mixing desk. The PA had been crisp and clear throughout the day, but once the buzz had been eliminated there was an appreciable drop in level and clarity through the second half of the Who`s set.
That said, there`s no denying that the Who are a magnificent band, and when they were on there was no-one to touch them: Daltrey the champion mike-swinger, Townshend the acrobat (For music and presentation there isn`t a front team that comes near them – not Rod and Ronnie, not even Mick and Keith), Entwistle in flash jacket and Mr. Bassman pose, and Moon… what can you say? Yes, well don`t.
Da (rest) da da, da (rest) da da… they were off on a peak with “Can`t Explain” and “Summertime Blues”, and they finished on a peak with two versions of “My Generation” – the first one straight and heavy, the second in boogie style. When a band has that kind of repertoire from which to draw there`s no way you`re not going to get off.
Other high points for me were “Behind Blue Eyes” which came fairly early on, Entwistle`s eccentric “Boris The Spider”, “Baba O`Reilly”, “Won`t Get Fooled Again”, “Magic Bus” and “See Me, Feel Me”: it was during that song that somebody scored bonus points for event management by turning on the full glare of Charlton`s floodlights to expose a sea of thousands of waving arms, stretched out towards the stage right back across the ground and up the terrace opposite. It was a breathtaking sight.
That`s the kind of thing that can only happen at events like Charlton and that is why they`re worth any amount of hanging around getting headaches and snarling at people who tread on your feet.
I have personally transcribed this from the original paper. Any errors in the text from the original magazine may not have been corrected for the sake of accuracy. If you have a music-related web-page where this fits – please make a link to the article. With credits to the original writer of the article from all of us music fans!
This number of Sounds also contains articles/interviews with these people: Goldie Zelkowitz, Curtis Knight, Simon Alexander, Steely Dan, Chris Stainton, Ronnie Lane, Elliott Murphy, Loudon Wainwright, Tim Buckley, Steve Miller, Beach Boys, Tommy Vance, Jim Simpson, Stefan Grossman, Lynsey de Paul, Mott the Hoople, Kevin Ayers,
Dave Cousins, ELP.
The original music paper this article came from (pictured at the top) is for sale!
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