Baker Gurvitz Army

ARTICLE ABOUT The A-Z of Heavy Metal FROM SOUNDS (Part 3), April 26, 1975

And we continue with part 3 in these series. I must admit that I didn`t know all these bands/artist before reading about them here. Funny how some fell by the wayside and others became household names.
Read on!


Rock from `eavy to `umble or
The Sounds A – Z of Heavy Metal

Compiled by Pete Makowski and Geoff Barton


Deep Purple

Originally the band sounded like the culmination of all the things that Vanilla Fudge had striven for. Elaborate arrangements, well played rock. The band was formed by ex Artwoods and Flowerpot man Jon Lord, Ritchie Blackmore (ex Screaming Lord Sutch, Neil Christians and the Crusaders) and former Searcher Chris Curtis in `68. Curtis left and was replaced by bass player Nick Simper plus the addition of vocalist Rod Evans. The band recorded three albums with this format – `Shades Of Deep Purple`, `Book Of Talysein` and `Deep Purple`. Evans split to the States to form Captain Beyond with ex-Iron Butterfly guitarist Mike Pinera and Bobby Caldwell. Simper went on to join Warhorse. Simper and Evans were replaced by Roger Glover and Ian Gillan respectively. They recorded `In Rock` in 1970, and the distinct sound of Blackmore`s piercing, innovative guitar style that took Hank Marvin`s tremelo one step further, plus the screaming banshee vocals of Gillan made this THE definitive progressive rock album. Purple rose from the underground following when they achieved commercial success (`Black Night`, Strange Kind Of Woman` and `Fireball`). They achieved gargantuan popularity in the States with `Machine Head` which was the top selling US album in `73. An album later Gillan and Glover split and the future of the band was dubious, but they went on and added unknown vocalist Dave Coverdale and ex Trapeze bassist Glenn Hughes. This made for a change in the band`s music, but not in the impetus of their success.


While the rest of the world was dressing up in beads and kaftans, Mick Farren and the Social Deviants, taking their cue from the MC5, hopped into their leathers and became a street punk rock politico band. In other words, they bashed it out loud and had titles like `Let`s Loot The Supermarket`. They were born in Spring 1967 with Farren, Duncan Sanderson and Russ Hunter as the core and the fluctuating guitar team of Paul Rudolf and Sid Bishop. By the end of `67 they`d dropped the social bit (well, says Farren, “it was a bit long and cumbersome to say”) and they broke up during a tour of America in 1969. Russ and Sandy joined up with Twink and Rudolf in the Pink Fairies. The Deviants left behind three albums – `Ptoof`, `Disposable` and `Deviants`. The Pink Fairies were worthy successors, but they too are defunct now. Paul Rudolf now has The Paul Rudolf Bugs Bunny Drugs Band.


Eire Apparent

Eire Apparent is notable for two things – the presence of guitarist Henry McCullogh, subsequently with the Grease Band, Wings, and, occasionally, Frankie Miller and the production of Jimi Hendrix. One Buddah single, `Rock`n`Roll Band` shows just how well the combination worked.



This four piece all girl group stripped away all the pre-conceived chauvinistic views of women in rock. They could hit as hard as a battering ram. Formed in California the original line up consisted of June Millington (guitar/vocals), Jean Millington (bass/vocals), Alice De Buhr (drums) and Nickey Barclay (keyboards/vocals). The popularity of this band opened a market for other female rock bands (Isis, Birtha, Mother Trucker). June Millington was the first to leave the band and was replaced by Suzi Quatro`s sister Patti. Nickey Barclay, who was the band`s main writer, left last year to form her own band, Good News.


Energy laden, blues based rock and roll laced with glamour. Foghat were one of those bands, like Climax Chicago, struck big in America but haven`t even created a ripple of interest in this country. The original band were ex-Savoy Brown members Rod Price (guitar), Tony Stevens (bass), and Roger Earl (drums). They were soon joined by `Lonesome` Dave Peverett on guitar. They have recorded three successful albums (`Rock & Roll`, `Energized`, `Rock And Roll Outlaws`), on Bearsville label and recently Tony Stevens left to be replaced by Nick Jameson.

Andy Fraser Band

Fraser surfaced with a new band following Sharks and an aborted liaison with Frankie Miller – Nick Judd on keyboards, Kim Turner on drums and Fraser on lead bass and vocals. They`re the loudest I`ve heard in a long time and as cocky and as unsubtle as you like.

Fusion Orchestra

Later re-titled Jill Saward`s Fusion Orchestra, this band is not so much heavy as flashy, visually and musically. When last seen, Jill would whirl dervish-like from instrument to instrument as if seeking an electric Holy Grail. A somewhat frenzied band, in which the drummer has been known to do a solo stretching from one end of the hall to the other.


Brian Gamage And The Spikes

Issued a single, `Brain Damage`, in mid-1974. It featured a guitar solo played by hurling a meathook at a highly amplified Stratocaster. The band were first formed in 1963 and the current, ever-changing line-up stands at Brian Gamage vocals, Carole Lewis bugle (the only two remaining original members), Arthur Boonstock harpsichord and Ollibund Socket assorted tympani. Their long-awaited album `Blue Funk` is set for release in the distant future.

J. Geils

Energised R&B driven by the `Wolfman Jack` type vocals of ex-art student and disc jockey Peter Wolf and the screaming mouth-iron, courtesy of Magic Dick. This band of Americanos started life in `67 by Wolf and drummer Steven Bladd. The rest of the band – Danny Klein (bass), Seth Justman (keyboards), J. Geils (guitar) and Magic Dick Salwitz were picked up from a technical engineering college. They started out as a gritty, down to earth boogie band. Their last two albums (`Ladies Invited` and `Nightmares` – on the Atlantic label) were a little more sophisticated. Still a premier live act.


Brash Newcastle band, formed in early 1972. Powerful stage act, had some success with the singles `Don`t Do That` and `All Because Of You` – the latter a blatant rip-off of all (at that time) current singles styles, notably Bolan`s `Solid Gold Easy Action`, but great fun all the same. Toured with Slade, have made two albums, `Hope You Like It` and `Don`t Be Fooled By The Name`. Line-up: Brian Johnson vocals, Vic Malcolm guitar, Tom Hill bass, Brian Gibson drums.

Golden Earring

Dutch band, guitarist George Kooymans formed it in 1965 as a bubblegum outfit. Gradually became influenced by early Sixties styles and developed into musically excellent, visually superb band but without much originality. They first came to Britain in 1973 in the wake of Focus` success and soon notched up a hit single, `Radar Love`, and an album, `Moontan`. Current efforts, `Kill Me (Ce Soir)` and `Switch` are disappointing – the band seem to have become too preoccupied with their flashy image.


The archetypal heavy rock three piece, the Groundhogs originally derived their familiar sound in `68. They were a four piece blues band, but after the departure of vocalist Stephen Rye, Tony McPhee took over and in 1970, two albums later, they established their niche with `Thank Christ For The Bomb` which with the followup `Split` could be described as their definitive product. The moody hard edged sound of the band along with Tony McPhee`s sad sounding `droney` vocals made this mob a popular gigging band. In 1972 after the release of `Who Will Save The World`, drummer Ken Pusteinik left to be replaced by ex-Egg drummer Clive Brooks. This is when McPhee`s guitar and songwriting completely took over and after `Hogwash` he recorded a solo album in 1973 – `The Two Sides Of Tony `T.S.` McPhee`.

Grand Funk

Detroit punk rock at 14,000 watts. GFR were the first of the Teeny bop heavy rock gladiators. Originally put together by ex-Detroit disc jockey Terry Knight in late `69, Don Brewer (drums) and Mark Farner (guitar) were formerly from his backing band the Pack. They got Mel Scacher from Question Mark & The Mysterians. Funk went straight to the open air festivals, their main assets being volume and energy, and soon captured the hearts of a new generation of kids. The band suddenly became a monster (their fifth album `Survival` sold a million on the day of release) they became a liberated status symbol to the masses of teenagers who weren`t interested in The Cream or the Beatles. The band had produced their own album `Phoenix` after splitting from Knight and in fact rose back from the ashes and back into the charts. They added ex-Pack organist Craig Frost to their line up and their next two albums were produced by whiz kid Todd Rundgren.

Gun, Three Man Army, Baker-Gurvitz Army

Lots of Gurvitz brothers for your money. `Polecat Woman` is about the best thing they`ve done and is available on `Three Man Army Two`. The B-G Army sound promising.


I have personally transcribed this from the original paper. Any errors in the text from the original magazine may not have been corrected for the sake of accuracy. If you have a music-related web-page where this fits – please make a link to the article. With credits to the original writer of the article from all of us music fans!

This number of Sounds also contains articles/interviews with these people: Frank Zappa, Gladys Knight, Women In Rock, Betty Wright, Steve Harley, Peter Frampton, Labelle, Peter Skellern, Ray Davies, Larry Uttal, Chris Spedding, Anne Murray, Sweet Sensation, Bernard Purdie, Mike Harding, Ronnie Lane, Yes.

The original music paper this article came from (pictured at the top) is for sale!

1. Send me an e-mail if you are interested. Send it to:
2. The offer should be 20 $ (US Dollars) to be considered. (This includes postage).
3. We conduct the transaction through my verified Paypal account for the safety of both parties.

ARTICLE ABOUT Baker Gurvitz Army from New Musical Express, November 1, 1975

I must admit that this band was sort of unknown to me until I listened to one of their albums while printing this interview for the blog. And it was better than I anticipated. I knew of Ginger Baker (who doesn`t) from before and his drumming is legendary for a reason. Have fun with this one!


`People thought we were only good for one album.
`But we made another. So there`

Yes, success is getting a little nearer every year for the BAKER GURVITZ ARMY! Report by Chris Salewicz

“The other night I was driving around Soho,” says Ginger Baker, glugging down the last of the milk that`s putting a velvet lining on his stomach, “and I`d had a couple of drinks.
“And I came across this place where there`s blue lights flashing in all directions. There must have been some extraordinary thing going on. And in front of me – in Greek Street or somewhere like that – the whole road`s blocked. I`m sorta leaning out the window and the guy gets out the back of this police car and he comes over and says, `Ah, Ginger Baker.`
“Next thing I`m signing autographs.
“Very strange.”

Which, if nothing else, would at least suggest that Baker might have a readymade market wherever he might choose to tap a drum. Considerable comfort, certainly, for those flummoxed by the relative success of the Baker Gurvitz Army`s first album and tour at the beginning of this year.
Are they, after all, just coasting the slipstream of “Toad”?
Can one South London drummer a trio of kosher East Enders and a vocalist from Bridlington transmogrify from heavy metal mutants into a class rock band and thereby attain True Credibility? Will the Baker Gurvitz Army provide the sales figures to justify their second album being the first release on the new Mountain label? Are Mountain Management, having succeeded in establishing the octogenarian Alex Harvey as a Major Star, offering themselves as the Financial Phyllosan for the Over-thirty-five Artiste Ginger, is your gig pensionable?
These are the questions on the lips of today`s Rock Generation.

Snips, one-time vocalist with the ill-fated Sharks and now nearly a year into his gig with BGA, looks up from scanning the Mayfair French restaurant`s menu and proffers some verbal: “There is a bad critical feeling about the band… but I think that a lot of people – when they reviewed that first album – thought it was a one-off. I think they thought it was something Ginger had got together with the Gurvitzes and that it would last one album and that was it. I don`t think they understood how serious it was. They thought it would be just one album and that would be it… Like Jack Bruce does.
“But it isn`t that. Because there is a second album. And we`re already on the road and we`re already at work on the third.
“So they can all go blow up a pan, can`t they?”
“I would have given the first album eight out of ten,” adds Baker. “It was a bit of a rush thing, you know. It was the first two weeks work we ever did together. The mixing was done in record time. We`d really like to have spent a lot more time mixing it.
“But it wasn`t bad. I thought it was quite nice.”
Yet the sound of the album did suggest very much a return to the sound of That Archetypal Heavy Trio. Reminds one maybe of West, Bruce and Laing. Cream with lesser musicians. You know, the Bruce band that had “Jack Bruce is clean out of ideas and also probably out of money” stamped right across it.

Are you also suffering from a creative block? Or is this the sound that pays for your studio in Nigeria?
Baker looks up out of the door of the Mayfair restaurant keeping an eye out for traffic wardens. A single member of the Baker Jensen Army is pulled up outside on a double yellow line.
Snips provides a proxy answer: “Three-piece. It was the three-piece line-up that did the last one. This is a five-piece unit that`s done this album….”
Yes, Yes. Yes – but I`m not just restricting my thoughts to your voice and Peter Lemer`s keyboards having been added to the band. I simply felt that after Ginger had been down in Nigeria for four years his musical return would have dripped with African drum sounds. Maybe I`m missing it though….
“I think it`s in my playing,” Baker nods his head at himself. “But when you`re playing….(yawns widely)…. your music`s affected by who you`re playing with. I play to what I hear…. So what you hear is a sound that`s complementing the way I play…”
So the first album was perhaps a case of clearing out your musical past?
“There`s some nice things on that record. Some nice things and ideas which are continuing to happen…”
But on a purely financial level you can`t have had many doubts that the Baker-Gurvitz Army might succeed: the band`s music, after all, just oozes Commercial Success.

“No, really it`s a matter of I wanted to play and it happened – an ohhhh-currence. Turned out quite well. Very enjoyable.”
It`s pretty violent though, isn`t it?
Baker: “Some of it.”
Snips: “We have our romantic moments. There`s romance in there. Tenderness. We know how to do a slow one as well as a fast one.
“There seems to be a fair amount of singing in it now.”
Baker: “`E`s always complaining that`e doesn`t get enough.”
And how does HE feel about the band?
“I like it…”
Compared with Sharks…
“Well… that was me playing my material. This is me being the lead singer. There`s a lot of things going on…” (If this appears hesitant and relatively noncommital then that`s what I thought too. When Baker split at the end of the meal I collared Snips. His tone had obviously been caused by the time of day: “Different. It`s a year later. The Sharks was me expressing totally myself, in this I feel more of a musician).
“I came into rock music as a complete idiot – as a guy who could play the acoustic guitar, really.


“I`m happy within the framework of the group because I get to play live, and I`m doing my own albums” (On the Sharks` former label, Island). “As far as concerned that`s where I`ll express ME as opposed to Baker-Gurvitzing. I`m very happy with it, though.
“It`s the first time that I`ve been in the music business that I`ve been earning money, been enjoying myself and been part of some fine music that I enjoy anyway. Without hassles. Without people on my back all the time.”
You`re obviously aware that there is something of a Baker-Gurvitz anti…
“Whereas the Sharks had a good critical bias but they never made any money.” Ships speaks in blunt and gritty Yorkshire aphorisms.
Baker: “I think it`s good to get that sort of thing anyway. For me, you know.
“If everybody says `That`s great`… well…”

One of the problems with Blind Faith, of course. The initial unanimous critical fervour.
“It was great. The reason that fell apart is one person who was really responsible for that. Who must take credit for things going wrong.
“And that was Eric. Eric decided – and told us when we were on the road – that Delaney and Bonnie were a much better band.
“Now I mean Stevie… Stevie Winwood`s a lovely guy. A very quiet sort of guy. It did it in for him – in fact, it did it for most of us – being on the road. Clapton used to stand there on the side of the stage when Delaney and Bonnie were on stage and rave about it.
“Very, very weird, all that was.
“I thought the world of Eric, you know, for a long time. But like anybody could come up – like Delaney and Bonnie…
I think he found out about that when George Harrison came about. And all of a sudden they all dropped Eric like a hot potato and they were all running around George Harrison licking his boots, you know?
“But he`s a lovely guy. Fantastic guy. But he is very gullible.”

Are you disillusioned by it all – or just philosophical?
“Rather amused by it, I think.”
Because you`ve landed right back in the same rock`n`roll financial circus that you`ve spent years freeing yourself from.
“Well… yeah … But I got a lot of other things as well. To stop me from getting bored,” Baker laughs, and rubs his beard with the back of his hand as the waiter puts a plate of Dover Sole down in front of him and leans across to give Snips a gunshot-riddled grouse.
The drummer hands me a business card. “Mr. P. E. Baker,” it reads, “Trans-Sahara Trucking Company, `Greentrees`, Sandy Lane, Watford, Hertfordshire, England”.

Perhaps in gratitude for Nigeria`s having taught him polo as well as for allowing him to build his Lagos 16-track studio Ginger Baker is now about to gift Nigeria with its first Europe to Africa/Africa to Europe trucking firm. “This is really very, very exciting. We`ve got the Algerian government one hundred per cent behind us. We`ve got the Nigerian government behind us as well.
“We`re opening the overland route to Nigeria,” says this latterday George Chisholm, belching up some of his Bacardi and Coke. “We`re using the SNTR trucks and trailers – Societe Nationale Transport des Routiers. The Algerian National Transport Company.
“We`ve been working on it for years. Getting this thing together. It`s very exciting. We`ve just contacted the Algerian Air Freight Co. and they`re gonna be flying in stuff from the States.
“It`s really going amazingly well. It`s frightening, actually.
“I`m buying Mountain next year.”
Baker digs a spoon into his ice-cream: “You get the occasional odd incident. They built this great motorway in Nigeria… It`s about sixty feet in the air. When they first opened it all they put across the end was a fence about two foot high. And just put a sign saying `Branch off`. They didn`t block the road off… (laughs) … First day they opened it a guy went bombing up and he went straight off the end into a swamp.
“And they never saw him again.
“Then they thought `Well, perhaps we`d better block it off`.”

Conversation drifts into Africa and the Islam religion, and into the polygamy which Islam permits: “I thought it sounded a great idea until somebody told me about this guy who had five wives… He can`t do anything, you know. They gang up on him and they beat him up and take all his money. He`s got a remarkable character, though, because he managed to get them all pregnant at the same time… I went round there and met his wives… five chicks out here (holds right hand some distance in front of stomach) … absolutely amazing. And he was sitting there looking all pleased with himself.”
Baker prepares to split. One of the French waiters arrives with the bill: “Meester Baker – you are the best in the world.”
“Thank you very much,” said the drumming truckster. “Do we get the meal for nothing?
“Very embarrassing,” he stage-whispers. “It happens everywhere. Everywhere man. I thought when I got to Nigeria – great. Nobody knows me. I`d walked a hundred yards down the road then `Ginger! Ginger!` All over. Quite extraordinary.
“In actual fact I`m quite shy of people.”


I have personally transcribed this from the original paper and you are free to use it as you like. If you use it on your own webpages – please credit me or put up a link to my blog.

This number of New Musical Express also contains articles/interviews with these people: Tina Turner, Graham Nash & David Crosby, The Mika Band, Pub Rock Report 75, Melvin Franklin, The Chieftains, The Who, Hugh Banton (Van Der Graaf Generator).

The original music paper this article came from (pictured at the top) is for sale!

1. Send me an e-mail, if you are interested. Send it to:
2. The offer should be 15 $ (US Dollars) to be considered. (This includes postage).
3. We conduct the transaction through my verified Paypal account for the safety of both parties.