And we continue with part 3 in these series. I must admit that I didn`t know all these bands/artist before reading about them here. Funny how some fell by the wayside and others became household names.
Rock from `eavy to `umble or
The Sounds A – Z of Heavy Metal
Compiled by Pete Makowski and Geoff Barton
Originally the band sounded like the culmination of all the things that Vanilla Fudge had striven for. Elaborate arrangements, well played rock. The band was formed by ex Artwoods and Flowerpot man Jon Lord, Ritchie Blackmore (ex Screaming Lord Sutch, Neil Christians and the Crusaders) and former Searcher Chris Curtis in `68. Curtis left and was replaced by bass player Nick Simper plus the addition of vocalist Rod Evans. The band recorded three albums with this format – `Shades Of Deep Purple`, `Book Of Talysein` and `Deep Purple`. Evans split to the States to form Captain Beyond with ex-Iron Butterfly guitarist Mike Pinera and Bobby Caldwell. Simper went on to join Warhorse. Simper and Evans were replaced by Roger Glover and Ian Gillan respectively. They recorded `In Rock` in 1970, and the distinct sound of Blackmore`s piercing, innovative guitar style that took Hank Marvin`s tremelo one step further, plus the screaming banshee vocals of Gillan made this THE definitive progressive rock album. Purple rose from the underground following when they achieved commercial success (`Black Night`, Strange Kind Of Woman` and `Fireball`). They achieved gargantuan popularity in the States with `Machine Head` which was the top selling US album in `73. An album later Gillan and Glover split and the future of the band was dubious, but they went on and added unknown vocalist Dave Coverdale and ex Trapeze bassist Glenn Hughes. This made for a change in the band`s music, but not in the impetus of their success.
While the rest of the world was dressing up in beads and kaftans, Mick Farren and the Social Deviants, taking their cue from the MC5, hopped into their leathers and became a street punk rock politico band. In other words, they bashed it out loud and had titles like `Let`s Loot The Supermarket`. They were born in Spring 1967 with Farren, Duncan Sanderson and Russ Hunter as the core and the fluctuating guitar team of Paul Rudolf and Sid Bishop. By the end of `67 they`d dropped the social bit (well, says Farren, “it was a bit long and cumbersome to say”) and they broke up during a tour of America in 1969. Russ and Sandy joined up with Twink and Rudolf in the Pink Fairies. The Deviants left behind three albums – `Ptoof`, `Disposable` and `Deviants`. The Pink Fairies were worthy successors, but they too are defunct now. Paul Rudolf now has The Paul Rudolf Bugs Bunny Drugs Band.
Eire Apparent is notable for two things – the presence of guitarist Henry McCullogh, subsequently with the Grease Band, Wings, and, occasionally, Frankie Miller and the production of Jimi Hendrix. One Buddah single, `Rock`n`Roll Band` shows just how well the combination worked.
This four piece all girl group stripped away all the pre-conceived chauvinistic views of women in rock. They could hit as hard as a battering ram. Formed in California the original line up consisted of June Millington (guitar/vocals), Jean Millington (bass/vocals), Alice De Buhr (drums) and Nickey Barclay (keyboards/vocals). The popularity of this band opened a market for other female rock bands (Isis, Birtha, Mother Trucker). June Millington was the first to leave the band and was replaced by Suzi Quatro`s sister Patti. Nickey Barclay, who was the band`s main writer, left last year to form her own band, Good News.
Energy laden, blues based rock and roll laced with glamour. Foghat were one of those bands, like Climax Chicago, struck big in America but haven`t even created a ripple of interest in this country. The original band were ex-Savoy Brown members Rod Price (guitar), Tony Stevens (bass), and Roger Earl (drums). They were soon joined by `Lonesome` Dave Peverett on guitar. They have recorded three successful albums (`Rock & Roll`, `Energized`, `Rock And Roll Outlaws`), on Bearsville label and recently Tony Stevens left to be replaced by Nick Jameson.
Andy Fraser Band
Fraser surfaced with a new band following Sharks and an aborted liaison with Frankie Miller – Nick Judd on keyboards, Kim Turner on drums and Fraser on lead bass and vocals. They`re the loudest I`ve heard in a long time and as cocky and as unsubtle as you like.
Later re-titled Jill Saward`s Fusion Orchestra, this band is not so much heavy as flashy, visually and musically. When last seen, Jill would whirl dervish-like from instrument to instrument as if seeking an electric Holy Grail. A somewhat frenzied band, in which the drummer has been known to do a solo stretching from one end of the hall to the other.
Brian Gamage And The Spikes
Issued a single, `Brain Damage`, in mid-1974. It featured a guitar solo played by hurling a meathook at a highly amplified Stratocaster. The band were first formed in 1963 and the current, ever-changing line-up stands at Brian Gamage vocals, Carole Lewis bugle (the only two remaining original members), Arthur Boonstock harpsichord and Ollibund Socket assorted tympani. Their long-awaited album `Blue Funk` is set for release in the distant future.
Energised R&B driven by the `Wolfman Jack` type vocals of ex-art student and disc jockey Peter Wolf and the screaming mouth-iron, courtesy of Magic Dick. This band of Americanos started life in `67 by Wolf and drummer Steven Bladd. The rest of the band – Danny Klein (bass), Seth Justman (keyboards), J. Geils (guitar) and Magic Dick Salwitz were picked up from a technical engineering college. They started out as a gritty, down to earth boogie band. Their last two albums (`Ladies Invited` and `Nightmares` – on the Atlantic label) were a little more sophisticated. Still a premier live act.
Brash Newcastle band, formed in early 1972. Powerful stage act, had some success with the singles `Don`t Do That` and `All Because Of You` – the latter a blatant rip-off of all (at that time) current singles styles, notably Bolan`s `Solid Gold Easy Action`, but great fun all the same. Toured with Slade, have made two albums, `Hope You Like It` and `Don`t Be Fooled By The Name`. Line-up: Brian Johnson vocals, Vic Malcolm guitar, Tom Hill bass, Brian Gibson drums.
Dutch band, guitarist George Kooymans formed it in 1965 as a bubblegum outfit. Gradually became influenced by early Sixties styles and developed into musically excellent, visually superb band but without much originality. They first came to Britain in 1973 in the wake of Focus` success and soon notched up a hit single, `Radar Love`, and an album, `Moontan`. Current efforts, `Kill Me (Ce Soir)` and `Switch` are disappointing – the band seem to have become too preoccupied with their flashy image.
The archetypal heavy rock three piece, the Groundhogs originally derived their familiar sound in `68. They were a four piece blues band, but after the departure of vocalist Stephen Rye, Tony McPhee took over and in 1970, two albums later, they established their niche with `Thank Christ For The Bomb` which with the followup `Split` could be described as their definitive product. The moody hard edged sound of the band along with Tony McPhee`s sad sounding `droney` vocals made this mob a popular gigging band. In 1972 after the release of `Who Will Save The World`, drummer Ken Pusteinik left to be replaced by ex-Egg drummer Clive Brooks. This is when McPhee`s guitar and songwriting completely took over and after `Hogwash` he recorded a solo album in 1973 – `The Two Sides Of Tony `T.S.` McPhee`.
Detroit punk rock at 14,000 watts. GFR were the first of the Teeny bop heavy rock gladiators. Originally put together by ex-Detroit disc jockey Terry Knight in late `69, Don Brewer (drums) and Mark Farner (guitar) were formerly from his backing band the Pack. They got Mel Scacher from Question Mark & The Mysterians. Funk went straight to the open air festivals, their main assets being volume and energy, and soon captured the hearts of a new generation of kids. The band suddenly became a monster (their fifth album `Survival` sold a million on the day of release) they became a liberated status symbol to the masses of teenagers who weren`t interested in The Cream or the Beatles. The band had produced their own album `Phoenix` after splitting from Knight and in fact rose back from the ashes and back into the charts. They added ex-Pack organist Craig Frost to their line up and their next two albums were produced by whiz kid Todd Rundgren.
Gun, Three Man Army, Baker-Gurvitz Army
Lots of Gurvitz brothers for your money. `Polecat Woman` is about the best thing they`ve done and is available on `Three Man Army Two`. The B-G Army sound promising.
I have personally transcribed this from the original paper. Any errors in the text from the original magazine may not have been corrected for the sake of accuracy. If you have a music-related web-page where this fits – please make a link to the article. With credits to the original writer of the article from all of us music fans!
This number of Sounds also contains articles/interviews with these people: Frank Zappa, Gladys Knight, Women In Rock, Betty Wright, Steve Harley, Peter Frampton, Labelle, Peter Skellern, Ray Davies, Larry Uttal, Chris Spedding, Anne Murray, Sweet Sensation, Bernard Purdie, Mike Harding, Ronnie Lane, Yes.
The original music paper this article came from (pictured at the top) is for sale!
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