Dan McCafferty

ARTICLE ABOUT Dan McCafferty (Nazareth) FROM New Musical Express, June 2, 1973

Everyone is influenced by someone. Mr. McCafferty tell us about his influences in this one.
Read on!

Under the influence

This week: Dan McCafferty of Nazareth

Elvis Presley: “Jailhouse Rock”.
I think this was the first record I ever bought – I was about 12. Even now I think it`s one of the most exciting things ever made. When I started singing in bands I went through the whole thing of trying to sound like a miniature Elvis – almost everybody went through it.

Lloyd Price: “Stagger Lee”.
There`s something about Lloyd Price`s records that gave them an extra amount of excitement. I think I learned about dynamics through numbers like this one.

Otis Redding: “Try A Little Tenderness”.
This was an epic. Otis had a huge vocal range and he could cover an incredible number of notes in a short space of time. I`ve never heard anybody sing this number anywhere near as good as this. It`s the sort of track nobody should try to emulate because it`s just not worth it – it`s impossible.

Ike and Tina Turner: “River Deep Mountain High”.
You could play this against the best rock records today and it would stand out. Tina`s voice is amazing, and somehow it hasn`t been quite fully recognised just how good a vocalist she is. Whenever I go through a spell when nothing is happening, I hear this and it gets me moving and working again.

Simon and Garfunkel: “Bridge Over Troubled Water”.
To me this is the classic album of all time. It taught me a lot about melody, and that it`s the song that counts. I mean, it doesn`t matter how skilfully you play if a song is no good in the first place. On this album Paul Simon doesn`t have to prove he`s a great guitarist, which he is, simply because the songs are so good.

Led Zeppelin: “Zeppelin Four”.
I like the others, but this one stands out – I think perhaps because of Page`s production. Robert Plant`s another guy with an incredible range. Also, I admire his timing and he`s got a lot of feel – which is the important thing.

Sweet: “Hellraiser”.
It`s not a classic but it`s a good rock record. Maybe the vocals are a bit funny somehow, but the band generate a lot of excitement. I`ve never seen them on stage and I`ve heard some of their early stuff, which was pretty terrible, but I don`t think the band should get panned as much as they do. Give the lads a chance.

The original music paper this article came from (pictured at the top) is for sale!
Send me an e-mail if you are interested. Send it to: geirmykl@gmail.com
The offer should be 20 $ (US Dollars) to be considered. (This includes postage).
We conduct the transaction through my verified Paypal account for the safety of both parties.
If you have a large collection of the following magazines, don`t throw them out, but contact me as I would be very interested in these: Creem, Circus, Hit Parader and Metal Edge.

If you have a music-related web-page where this fits – please make a link to the article. With credits to the original writer of the article from all of us music fans!

ARTICLE ABOUT Nazareth FROM SOUNDS, July 20, 1974

When it comes to music, the Scottish people really should be proud of having such a great band as Nazareth in their midst. They were one of the most popular bands when I grew up in the 70s, and at school you either liked Nazareth or you liked Abba. There was nothing else for a while, and the imagery of Nazareth`s album covers were difficult not to notice and be impressed by as a young boy. That`s not to say that I wasn`t studying Abba`s album covers as much, looking for Agnetha…. Oh well, here is a good one with Dan McCafferty from the vaults.

img_2218

Back in the USA

Proving for the second week running that he has a way with `phones, Ray Telford talks to Dan McCafferty from Florida.

As Billy Walker so succinctly put it after I`d put down the phone on Dan McCafferty who`d called from West Palm Beach, Florida, last week, “Nazareth are nice guys”. Nice guys they are too and so is Bill (he`s managed to keep that way by assiduously avoiding most of the music business assholes and as a result has maintained a reasonably normal head). He also digs Nazareth`s music to some degree which makes his observations on the Naz all the more palatable and genuine – yet another rarity in the music business.
Nazareth are now into the last week of their fourth US tour, a tour which Dan reports has won them a lot of ground with American punters even despite the fact that their last visit there ended up as a complete non event.
The last projected American tour for the band was in January of this year when they were due to support (along with S. Quo) some outfit which was going out under the name of Fleetwood Mac. It was not, of course, the real thing and rather than become part of the great Fleetwood hype Dan and the boys opted out and flew back to their Scottish homes for a few days respite before jetting it to Switzerland to finish off a new album, the recently released “Rampant”.
If Nazareth hadn`t sold so many albums as they have over the past couple of years then the ready excuse would`ve been of course that they were primarily a band to be heard live and that the magic didn`t quite become so apparent when the music was transferred onto magnetic tape, but the fact that they have sold albums in vast quantities both here and on the Continent proves that lots of people hold the band and their hard, brittle rock and roll in pretty high esteem.

As for the States… well Dan reckons it takes a few cracks at the place before you even begin to think you`re getting a foothold and this present tour he guardedly told me had achieved precisely that. The albums released in America so far, discounting “Rampant”, have been doing good business and the interest from press and the radio stations has been more than encouraging.
“All the same,” Dan needlessly informed me, “America is such a bloody big place. You can break big with the radio stations and the people in one State and maybe the neighbouring State too if you`re lucky but then there`s still the other side of the country to come to terms with.
“That`s why so many bands touring here see it as an endless round of gigs with so much hard slog you wouldn`t believe it. At least if you play just one whizz bang tour in Britain you can be sure that everybody is going to pick up on how well you`ve done. It seems like it`s more instant – that`s really the big difference.”
On the present tour Nazareth have been sharing bills with what Dan calls a string of good crowd pullers and are pleased with what they have achieved in terms of audience reaction and general musical progress. In Washington, he says, they met up with Little Feat, who apparently have not fallen apart contrary to all rumours this side of the pond.
It was one of Lowell George`s songs (Little Feat`s slide guitar player), in fact that Naz took it on themselves to record on the “Razamanaz” album and which has since become a main feature of the band`s live sets.
“It really was a great night,” confirmed Dan. “The whole thing was perfect and they certainly didn`t seem to me like a group who were about to bust up. Anybody who plays like they do really have no right to call it a day. They`re that good.”

img_2219

On their return from America next week, Dan looks forward once again to being with his wife and son at their home near Dunfermline. He admits never to have had much time for the supposed trappings of a pop star`s life, and winces at the thought of having to leave his family at home while the band are on the road.
“There`s too many tense moments on a tour like this to have your wife and kids around. It wouldn`t be fair on them and it wouldn`t be fair on the band either `cause it is work. There`s no way you can call it a family way of life and luckily all our wives realise and respect that.”
The new Nazareth album, Dan happily reports is well in hand as far as suitable material goes. They had hoped to record some of the songs in America but time wasn`t on their side and so plans had to be shelved.
“We have written a few things, though we haven`t had a proper chance to rehearse them. The only chance we`ve had is to write them roughly on acoustic guitars in hotel rooms and then try them out at sound checks which isn`t really much good but the ideas are there and that`s what`s important. We`re due to come back to the States towards the end of the year and we`ll almost certainly be recording some stuff then.
“I`d like to try that studio in Florida where Clapton did his new album – there are some really nice sounds on that. Meanwhile we`re dying to get home and back to some sanity. We need to see our families again. Too right we do.”

img_2221

I have personally transcribed this from the original paper. Any errors in the text from the original magazine may not have been corrected for the sake of accuracy. If you have a music-related web-page where this fits – please make a link to the article. With credits to the original writer of the article from all of us music fans!

This number of Sounds also contains articles/interviews with these people: The Graeme Edge Band, Robin Trower, Man, Nigel Thomas, Chris Stainton, Chilli Willi, Robert Wyatt, J.J. Cale, Dobie Gray, Roger Daltrey, Sonny Rollins, Druick and Lorange, The SHF Band.

The original music paper this article came from (pictured at the top) is for sale!

1. Send me an e-mail if you are interested. Send it to: geirmykl@gmail.com
2. The offer should be 20 $ (US Dollars) to be considered. (This includes postage).
3. We conduct the transaction through my verified Paypal account for the safety of both parties.